Dm9 — D minor ninth chord
A minor seventh chord with the ninth added. The ninth is a whole tone above the root.
- 1 = D
- 9 = E
- b3 = F
- 5 = A
- b7 = C
- Symbol
- Dm9
- Root
- D
- Quality
- Minor ninth
- Family
- extended
- Notes
- D E F A C
- Degree formula
1 9 b3 5 b7- Semitones from the root
0 2 3 7 10- Distinct pitch classes
- 5
- Interval structure
- Stacked from the root: 2 semitones, 1 semitones, 4 semitones, 3 semitones
- Notation
- Written m9. The chord on the second, third and sixth degrees of a major key when the ninth is wanted.
- Key
- D · D major / B minor key signature
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | D | 0 | Perfect unison |
| 9 | E | 2 | Major second |
| b3 | F | 3 | Minor third |
| 5 | A | 7 | Perfect fifth |
| b7 | C | 10 | Minor seventh |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | D | 1 | D – E – F – A – C | 0 2 3 7 10 |
| first inversion | E | 9 | E – F – A – C – D | 0 1 5 8 10 |
| second inversion | F | b3 | F – A – C – D – E | 0 4 7 9 11 |
| third inversion | A | 5 | A – C – D – E – F | 0 3 5 7 8 |
| fourth inversion | C | b7 | C – D – E – F – A | 0 2 4 5 9 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 10-8-10-9-10-8 | D F C E A C | 1 b3 b7 9 5 b7 | D | 2 | 6 |
| 2 | 10-8-10-9-10-10 | D F C E A D | 1 b3 b7 9 5 1 | D | 2 | 6 |
| 3 | 10-12-10-10-10-12 | D A C F A E | 1 5 b7 b3 5 9 | D | 2 | 6 |
| 4 | 10-7-7-10-10-8 | D E A F A C | 1 9 5 b3 5 b7 | D | 3 | 6 |
| 5 | 10-8-7-9-10-8 | D F A E A C | 1 b3 5 9 5 b7 | D | 3 | 6 |
| 6 | 10-7-10-10-10-8 | D E C F A C | 1 9 b7 b3 5 b7 | D | 3 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in D
- ScaleD dorian
- ChordDm7
Related
- KeyKey of D
- ScaleD dorian
- ChordDm7 — Minor seventh
- ChordD11 — Dominant eleventh
- ChordD13 — Dominant thirteenth
- ChordD9 — Dominant ninth
- DegreesD — degree map
- Neck mapD — note map