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F5 — F power chord chord

Root and fifth only. The third is left out, so the chord is neither major nor minor and the same shape works over either.

Symbol
F5
Root
F
Quality
Power chord
Family
triad
Notes
F C
Degree formula
1 5
Semitones from the root
0 7
Distinct pitch classes
2
Interval structure
Stacked from the root: 7 semitones
Notation
Written 5. Two notes, usually doubled at the octave on the lowest strings, and the standard shape of distorted rock rhythm playing.
Key
F · F major / D minor key signature
F5 chord fingering chart, six strings, frets marked
F5 — fingering chart Diagram: Will Chan

Formula

The chord tones in order from the root, with the interval each one forms above it.

DegreeNoteSemitonesInterval from the root
1F0Perfect unison
5C7Perfect fifth

Inversions

An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.

InversionBass noteDegree in the bassNotes above the bassSemitones above the bass
root positionF1F – C0 7
first inversionC5C – F0 5

Playable voicings

These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.

#Shape (low string first)NotesDegreesBassSpan (frets)Sounding strings
11-3-3-5-1-1F C F C C F1 5 1 5 5 1F46
21-3-3-5-1-xF C F C C x1 5 1 5 5 xF45
3x-8-10-10-6-8x F C F F Cx 1 5 1 1 5F45
4x-x-3-5-1-1x x F C C Fx x 1 5 5 1F44
51-3-3-5-x-xF C F C x x1 5 1 5 x xF44
6x-8-10-10-6-xx F C F F xx 1 5 1 1 xF44

Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.

Related chords and scales

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