G5 — G power chord chord

Root and fifth only. The third is left out, so the chord is neither major nor minor and the same shape works over either.

1 = G
5 = D

Symbol: G5
Root: G
Quality: Power chord
Family: triad
Notes: G D
Degree formula: 1 5
Semitones from the root: 0 7
Distinct pitch classes: 2
Interval structure: Stacked from the root: 7 semitones
Notation: Written 5. Two notes, usually doubled at the octave on the lowest strings, and the standard shape of distorted rock rhythm playing.
Key: G · G major / E minor key signature

Fingering charts

The library holds 5 fingerings of this chord and all of them are shown, in the library’s own order. Several fingerings of one chord is normal: the same notes can be stopped at different positions and on different strings.

G5 chord fingering chart, variation 1 of 5 — Variation 1 of 5 Diagram: Will Chan

G5 chord fingering chart, variation 2 of 5 — Variation 2 of 5 Diagram: Will Chan

G5 chord fingering chart, variation 3 of 5 — Variation 3 of 5 Diagram: Will Chan

G5 chord fingering chart, variation 4 of 5 — Variation 4 of 5 Diagram: Will Chan

G5 chord fingering chart, variation 5 of 5 — Variation 5 of 5 Diagram: Will Chan

Formula

The chord tones in order from the root, with the interval each one forms above it.

Degree	Note	Semitones	Interval from the root
1	G	0	Perfect unison
5	D	7	Perfect fifth

Inversions

An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.

Inversion	Bass note	Degree in the bass	Notes above the bass	Semitones above the bass
root position	G	1	G – D	0 7
first inversion	D	5	D – G	0 5

Playable voicings

These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.

#	Shape (low string first)	Notes	Degrees	Bass	Span (frets)	Sounding strings
1	3-5-5-7-3-3 (6→1)	G D G D D G	1 5 1 5 5 1	G	4	6
2	3-5-5-7-3-x (6→1)	G D G D D x	1 5 1 5 5 x	G	4	5
3	x-10-12-12-8-10 (6→1)	x G D G G D	x 1 5 1 1 5	G	4	5
4	x-x-5-7-3-3 (6→1)	x x G D D G	x x 1 5 5 1	G	4	4
5	3-5-5-7-x-x (6→1)	G D G D x x	1 5 1 5 x x	G	4	4
6	x-10-12-12-8-x (6→1)	x G D G G x	x 1 5 1 1 x	G	4	4

Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.

Related chords and scales

KeyEverything in Gscale, chords and neck map for this root
ScaleG major pentatonicthe scale this chord comes from
ChordGthe major it extends
ChordG7the seventh chord on this root

Everything in G · All chords

KeyKey of GG A B C D E F# · G major / E minor
ScaleG major pentatonic5 notes · 1 2 3 5 6
ChordG — Major1 3 5 · G B D
ChordG7 — Dominant seventh1 3 5 b7 · G B D F
ChordGaug — Augmented1 3 #5 · G B D#
ChordGdim — Diminished1 b3 b5 · G Bb Db
ChordGm — Minor1 b3 5 · G Bb D
DegreesG — degree mapG major and natural minor · frets 0–22

Everything in this key: G · Chords · Theory Atlas