G♭5 — G♭ power chord chord
Root and fifth only. The third is left out, so the chord is neither major nor minor and the same shape works over either.
- 1 = G♭
- 5 = D♭
- Symbol
- Gb5
- Root
- Gb
- Quality
- Power chord
- Family
- triad
- Notes
- Gb Db
- Degree formula
1 5- Semitones from the root
0 7- Distinct pitch classes
- 2
- Interval structure
- Stacked from the root: 7 semitones
- Notation
- Written 5. Two notes, usually doubled at the octave on the lowest strings, and the standard shape of distorted rock rhythm playing.
- Key
- Gb · Gb major / Eb minor key signature
Fingering charts
The library holds 5 fingerings of this chord and all of them are shown, in the library’s own order. Several fingerings of one chord is normal: the same notes can be stopped at different positions and on different strings.
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | G♭ | 0 | Perfect unison |
| 5 | D♭ | 7 | Perfect fifth |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | G♭ | 1 | G♭ – D♭ | 0 7 |
| first inversion | D♭ | 5 | D♭ – G♭ | 0 5 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 2-4-4-6-2-2 | Gb Db Gb Db Db Gb | 1 5 1 5 5 1 | Gb | 4 | 6 |
| 2 | 2-4-4-6-2-x | Gb Db Gb Db Db x | 1 5 1 5 5 x | Gb | 4 | 5 |
| 3 | x-9-11-11-7-9 | x Gb Db Gb Gb Db | x 1 5 1 1 5 | Gb | 4 | 5 |
| 4 | x-x-4-6-2-2 | x x Gb Db Db Gb | x x 1 5 5 1 | Gb | 4 | 4 |
| 5 | 2-4-4-6-x-x | Gb Db Gb Db x x | 1 5 1 5 x x | Gb | 4 | 4 |
| 6 | x-9-11-11-7-x | x Gb Db Gb Gb x | x 1 5 1 1 x | Gb | 4 | 4 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Gb
- ScaleGb major pentatonic
- ChordGb
- ChordGb7
Related
- ChordG♭ — Major
- ChordG♭7 — Dominant seventh
- ChordG♭aug — Augmented
- ChordG♭dim — Diminished
- ChordG♭m — Minor
- DegreesF# — degree map
- Neck mapF# — note map
- KeyKey of F#