The fifth mode of the harmonic minor scale: a major third with a flattened second, sixth and seventh. The augmented second between the flat second and the major third is what gives the scale its characteristic sound.
1 = C#
b2 = D
3 = E#
4 = F#
5 = G#
b6 = A
b7 = B
Root
C# (also written Db)
Scale
Phrygian dominant
Type
symmetric
Notes
C# D E# F# G# A B
Notes in the scale
7
Degree formula
1 b2 3 4 5 b6 b7
Semitones from the root
0 1 4 5 7 8 10
Step pattern
H W+H H W H W W
Aliases
Spanish phrygian, Freygish
Key signature of this root
C# major / A# minor · F# C# G# D# A# E# B#
Written use
Named 1 b2 3 4 5 b6 b7. Played over a dominant seventh chord whose root is a fifth above the parent harmonic minor tonic.
Notes and degrees
Each degree of the scale, its note name in this key, and its distance from the root in semitones.
Degree
Note
Semitones
Interval from the root
1
C#
0
Perfect unison
tonic
b2
D
1
Minor second
3
E#
4
Major third
4
F#
5
Perfect fourth
5
G#
7
Perfect fifth
b6
A
8
Minor sixth
b7
B
10
Minor seventh
Positions on the guitar
The five windows below are computed, not copied from a shape chart. The script locates the lowest
occurrence of C# on each of the five upper strings within the first twelve frets and takes a
five-fret window centred on it. Because a scale repeats every twelve frets, these five windows cover
the whole neck; the same sequence returns an octave higher. The positions are numbered from the lowest
fret upwards, so position 1 is always the window nearest the nut and position 5 the window nearest the
twelfth fret.
Position 1 — frets 0–4
Root on the 2nd string B3 at fret 2. 18 notes of the scale inside this window.
Read the grid as a chord diagram: the top row is the first string. Degrees appear in the
notes and degrees table above; a filled cell is a note of the scale, and the shaded cell is the tonic.