The second mode of the major scale: a minor scale with a raised sixth. The raised sixth replaces the flat sixth of the natural minor scale, which is what separates the two.
Named 1 2 b3 4 5 6 b7. Its tonic triad is minor; the IV chord of the parent major key is major.
Notes and degrees
Each degree of the scale, its note name in this key, and its distance from the root in semitones.
Degree
Note
Semitones
Interval from the root
1
F#
0
Perfect unison
tonic
2
G#
2
Major second
b3
A
3
Minor third
4
B
5
Perfect fourth
5
C#
7
Perfect fifth
6
D#
9
Major sixth
b7
E
10
Minor seventh
Positions on the guitar
The five windows below are computed, not copied from a shape chart. The script locates the lowest
occurrence of F# on each of the five upper strings within the first twelve frets and takes a
five-fret window centred on it. Because a scale repeats every twelve frets, these five windows cover
the whole neck; the same sequence returns an octave higher. The positions are numbered from the lowest
fret upwards, so position 1 is always the window nearest the nut and position 5 the window nearest the
twelfth fret.
Position 1 — frets 0–4
Root on the 6th string E2 at fret 2. 18 notes of the scale inside this window.
Read the grid as a chord diagram: the top row is the first string. Degrees appear in the
notes and degrees table above; a filled cell is a note of the scale, and the shaded cell is the tonic.
Related keys and modes
ParentParent major scaleE major contains the same seven notes, with the tonic on a different degree
Mode/KeyE ioniansame parent scale, different tonic
Mode/KeyAb phrygiansame parent scale, different tonic
Mode/KeyA lydiansame parent scale, different tonic
Mode/KeyB mixolydiansame parent scale, different tonic
Mode/KeyC# aeoliansame parent scale, different tonic
Mode/KeyEb locriansame parent scale, different tonic