Abaug — Ab augmented chord
Root, major third and augmented fifth: two stacked major thirds. Because the thirds are equal the chord divides the octave into three, so it has three enharmonic spellings and only four distinct forms.
- 1 = Ab
- 3 = C
- #5 = E
- Symbol
- Abaug
- Root
- Ab
- Quality
- Augmented
- Family
- triad
- Notes
- Ab C E
- Degree formula
1 3 #5- Semitones from the root
0 4 8- Distinct pitch classes
- 3
- Interval structure
- Stacked from the root: 4 semitones, 4 semitones
- Notation
- Written aug or with a plus sign, for example Caug or C+.
- Key
- Ab · Ab major / F minor key signature
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Ab | 0 | Perfect unison |
| 3 | C | 4 | Major third |
| #5 | E | 8 | Minor sixth |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Ab | 1 | Ab – C – E | 0 4 8 |
| first inversion | C | 3 | C – E – Ab | 0 4 8 |
| second inversion | E | #5 | E – Ab – C | 0 4 8 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 4-3-2-1-1-4 | Ab C E Ab C Ab | 1 3 #5 1 3 1 | Ab | 3 | 6 |
| 2 | 4-3-2-5-5-4 | Ab C E C E Ab | 1 3 #5 3 #5 1 | Ab | 3 | 6 |
| 3 | 4-3-6-5-5-4 | Ab C Ab C E Ab | 1 3 1 3 #5 1 | Ab | 3 | 6 |
| 4 | 4-7-6-5-5-4 | Ab E Ab C E Ab | 1 #5 1 3 #5 1 | Ab | 3 | 6 |
| 5 | 4-3-2-1-1-0 | Ab C E Ab C E | 1 3 #5 1 3 #5 | Ab | 4 | 6 |
| 6 | 4-3-2-1-5-4 | Ab C E Ab E Ab | 1 3 #5 1 #5 1 | Ab | 4 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Ab
- ScaleAb whole tone
- ChordCaug
- ChordEaug
Related
- KeyKey of Ab
- ScaleAb whole tone
- ChordCaug — Augmented
- ChordEaug — Augmented
- ChordAbdim — Diminished
- ChordAb — Major
- ChordAbm — Minor
- DegreesAb — degree map