Ebmaj9 — Eb major ninth chord
A major seventh chord with the ninth added. The interval between the ninth and the major seventh is a minor second, which is what gives the chord its colour.
- 1 = Eb
- 9 = F
- 3 = G
- 5 = Bb
- 7 = D
- Symbol
- Ebmaj9
- Root
- Eb
- Quality
- Major ninth
- Family
- extended
- Notes
- Eb F G Bb D
- Degree formula
1 9 3 5 7- Semitones from the root
0 2 4 7 11- Distinct pitch classes
- 5
- Interval structure
- Stacked from the root: 2 semitones, 2 semitones, 3 semitones, 4 semitones
- Notation
- Written maj9. A common tonic chord in jazz and in contemporary soul.
- Key
- Eb · Eb major / C minor key signature
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Eb | 0 | Perfect unison |
| 9 | F | 2 | Major second |
| 3 | G | 4 | Major third |
| 5 | Bb | 7 | Perfect fifth |
| 7 | D | 11 | Major seventh |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Eb | 1 | Eb – F – G – Bb – D | 0 2 4 7 11 |
| first inversion | F | 9 | F – G – Bb – D – Eb | 0 2 5 9 10 |
| second inversion | G | 3 | G – Bb – D – Eb – F | 0 3 7 8 10 |
| third inversion | Bb | 5 | Bb – D – Eb – F – G | 0 4 5 7 9 |
| fourth inversion | D | 7 | D – Eb – F – G – Bb | 0 1 3 5 8 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 11-10-12-10-11-10 | Eb G D F Bb D | 1 3 7 9 5 7 | Eb | 2 | 6 |
| 2 | 11-10-12-10-11-11 | Eb G D F Bb Eb | 1 3 7 9 5 1 | Eb | 2 | 6 |
| 3 | 11-13-12-12-11-13 | Eb Bb D G Bb F | 1 5 7 3 5 9 | Eb | 2 | 6 |
| 4 | 11-8-8-8-8-10 | Eb F Bb Eb G D | 1 9 5 1 3 7 | Eb | 3 | 6 |
| 5 | 11-8-8-10-8-10 | Eb F Bb F G D | 1 9 5 9 3 7 | Eb | 3 | 6 |
| 6 | 11-10-8-10-8-10 | Eb G Bb F G D | 1 3 5 9 3 7 | Eb | 3 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Eb
- ScaleEb major
- ChordEbmaj7
Related
- KeyKey of Eb
- ScaleEb major
- ChordEbmaj7 — Major seventh
- ChordEb11 — Dominant eleventh
- ChordEb13 — Dominant thirteenth
- ChordEb9 — Dominant ninth
- DegreesEb — degree map
- Neck mapEb — note map