Ebm7 — Eb minor seventh chord
A minor triad with a minor seventh added. The interval between the third and the seventh is a perfect fifth.
- 1 = Eb
- b3 = Gb
- 5 = Bb
- b7 = Db
- Symbol
- Ebm7
- Root
- Eb
- Quality
- Minor seventh
- Family
- seventh
- Notes
- Eb Gb Bb Db
- Degree formula
1 b3 5 b7- Semitones from the root
0 3 7 10- Distinct pitch classes
- 4
- Interval structure
- Stacked from the root: 3 semitones, 4 semitones, 3 semitones
- Notation
- Written m7 or min7. The chord on the second, third and sixth degrees of a major key, and the tonic of a minor key in jazz.
- Key
- Eb · Eb major / C minor key signature
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Eb | 0 | Perfect unison |
| b3 | Gb | 3 | Minor third |
| 5 | Bb | 7 | Perfect fifth |
| b7 | Db | 10 | Minor seventh |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Eb | 1 | Eb – Gb – Bb – Db | 0 3 7 10 |
| first inversion | Gb | b3 | Gb – Bb – Db – Eb | 0 4 7 9 |
| second inversion | Bb | 5 | Bb – Db – Eb – Gb | 0 3 5 8 |
| third inversion | Db | b7 | Db – Eb – Gb – Bb | 0 2 5 9 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 11-9-11-11-11-9 | Eb Gb Db Gb Bb Db | 1 b3 b7 b3 5 b7 | Eb | 2 | 6 |
| 2 | 11-9-11-11-11-11 | Eb Gb Db Gb Bb Eb | 1 b3 b7 b3 5 1 | Eb | 2 | 6 |
| 3 | 11-13-11-11-11-11 | Eb Bb Db Gb Bb Eb | 1 5 b7 b3 5 1 | Eb | 2 | 6 |
| 4 | 11-9-8-8-11-9 | Eb Gb Bb Eb Bb Db | 1 b3 5 1 5 b7 | Eb | 3 | 6 |
| 5 | 11-9-8-11-11-9 | Eb Gb Bb Gb Bb Db | 1 b3 5 b3 5 b7 | Eb | 3 | 6 |
| 6 | 11-9-11-8-11-9 | Eb Gb Db Eb Bb Db | 1 b3 b7 1 5 b7 | Eb | 3 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Eb
- ScaleEb dorian
- ChordEbm
- ChordEbm9
- ChordF#maj7
Related
- KeyKey of Eb
- ScaleEb dorian
- ChordEbm — Minor
- ChordEbm9 — Minor ninth
- ChordF#maj7 — Major seventh
- ChordEbdim7 — Diminished seventh
- ChordEb7 — Dominant seventh
- ChordEbmaj7 — Major seventh