Emaj7 — E major seventh chord

A major triad with a major seventh added. The interval between the third and the seventh is a major third, which is why the chord sounds stable.

1 = E
3 = G#
5 = B
7 = D#

Symbol: Emaj7
Root: E
Quality: Major seventh
Family: seventh
Notes: E G# B D#
Degree formula: 1 3 5 7
Semitones from the root: 0 4 7 11
Distinct pitch classes: 4
Interval structure: Stacked from the root: 4 semitones, 3 semitones, 4 semitones
Notation: Written maj7, M7 or a triangle. The tonic chord of a major key in jazz harmony.
Key: E · E major / C# minor key signature

Formula

The chord tones in order from the root, with the interval each one forms above it.

Degree	Note	Semitones	Interval from the root
1	E	0	Perfect unison
3	G#	4	Major third
5	B	7	Perfect fifth
7	D#	11	Major seventh

Inversions

An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.

Inversion	Bass note	Degree in the bass	Notes above the bass	Semitones above the bass
root position	E	1	E – G# – B – D#	0 4 7 11
first inversion	G#	3	G# – B – D# – E	0 3 7 8
second inversion	B	5	B – D# – E – G#	0 4 5 9
third inversion	D#	7	D# – E – G# – B	0 1 5 8

Playable voicings

These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.

#	Shape (low string first)	Notes	Degrees	Bass	Span (frets)	Sounding strings
1	0-2-1-1-0-0 (6→1)	E B D# G# B E	1 5 7 3 5 1	E	2	6
2	12-11-13-13-12-11 (6→1)	E G# D# G# B D#	1 3 7 3 5 7	E	2	6
3	12-11-13-13-12-12 (6→1)	E G# D# G# B E	1 3 7 3 5 1	E	2	6
4	12-14-13-13-12-12 (6→1)	E B D# G# B E	1 5 7 3 5 1	E	2	6
5	12-11-9-9-9-11 (6→1)	E G# B E G# D#	1 3 5 1 3 7	E	3	6
6	12-11-9-9-12-11 (6→1)	E G# B E B D#	1 3 5 1 5 7	E	3	6

Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.

Related chords and scales

KeyEverything in Escale, chords and neck map for this root
ScaleE majorthe scale this chord comes from
ChordEthe triad underneath it
ChordEmaj9the same chord with a ninth added
ChordAbm7the relative minor seventh chord

Everything in E · All chords

KeyKey of EE F# G# A B C# D# · E major / C# minor
ScaleE major7 notes · 1 2 3 4 5 6 7
ChordE — Major1 3 5 · E G# B
ChordEmaj9 — Major ninth1 9 3 5 7 · E F# G# B D#
ChordAbm7 — Minor seventh1 b3 5 b7 · Ab Cb Eb Gb
ChordEdim7 — Diminished seventh1 b3 b5 bb7 · E G Bb Db
ChordE7 — Dominant seventh1 3 5 b7 · E G# B D
ChordEm7 — Minor seventh1 b3 5 b7 · E G B D

Everything in this key: E · Chords · Theory Atlas