Abm7 — Ab minor seventh chord
A minor triad with a minor seventh added. The interval between the third and the seventh is a perfect fifth.
- 1 = Ab
- b3 = Cb
- 5 = Eb
- b7 = Gb
- Symbol
- Abm7
- Root
- Ab
- Quality
- Minor seventh
- Family
- seventh
- Notes
- Ab Cb Eb Gb
- Degree formula
1 b3 5 b7- Semitones from the root
0 3 7 10- Distinct pitch classes
- 4
- Interval structure
- Stacked from the root: 3 semitones, 4 semitones, 3 semitones
- Notation
- Written m7 or min7. The chord on the second, third and sixth degrees of a major key, and the tonic of a minor key in jazz.
- Key
- Ab · Ab major / F minor key signature
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Ab | 0 | Perfect unison |
| b3 | Cb | 3 | Minor third |
| 5 | Eb | 7 | Perfect fifth |
| b7 | Gb | 10 | Minor seventh |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Ab | 1 | Ab – Cb – Eb – Gb | 0 3 7 10 |
| first inversion | Cb | b3 | Cb – Eb – Gb – Ab | 0 4 7 9 |
| second inversion | Eb | 5 | Eb – Gb – Ab – Cb | 0 3 5 8 |
| third inversion | Gb | b7 | Gb – Ab – Cb – Eb | 0 2 5 9 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 4-2-4-4-4-2 | Ab B Gb B Eb Gb | 1 b3 b7 b3 5 b7 | Ab | 2 | 6 |
| 2 | 4-2-4-4-4-4 | Ab B Gb B Eb Ab | 1 b3 b7 b3 5 1 | Ab | 2 | 6 |
| 3 | 4-6-4-4-4-4 | Ab Eb Gb B Eb Ab | 1 5 b7 b3 5 1 | Ab | 2 | 6 |
| 4 | 4-2-1-1-4-2 | Ab B Eb Ab Eb Gb | 1 b3 5 1 5 b7 | Ab | 3 | 6 |
| 5 | 4-2-1-4-4-2 | Ab B Eb B Eb Gb | 1 b3 5 b3 5 b7 | Ab | 3 | 6 |
| 6 | 4-2-4-1-4-2 | Ab B Gb Ab Eb Gb | 1 b3 b7 1 5 b7 | Ab | 3 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Ab
- ScaleAb dorian
- ChordAbm
- ChordAbm9
- ChordBmaj7
Related
- KeyKey of Ab
- ScaleAb dorian
- ChordAbm — Minor
- ChordAbm9 — Minor ninth
- ChordBmaj7 — Major seventh
- ChordAbdim7 — Diminished seventh
- ChordAb7 — Dominant seventh
- ChordAbmaj7 — Major seventh