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Abm9♭5 — Ab minor ninth flat fifth chord

A half-diminished seventh chord with the ninth added. Four minor thirds apart in the lower voices, with the ninth on top.

Symbol
Abm9♭5
Root
Ab
Quality
Minor ninth flat fifth
Family
extended
Notes
Ab Cb Ebb Gb Bb
Degree formula
1 b3 b5 b7 9
Semitones from the root
0 2 3 6 10
Distinct pitch classes
5
Interval structure
Stacked from the root: 3 semitones, 3 semitones, 4 semitones, 4 semitones
Notation
Written m9♭5. The ii chord of a minor ii-V-i when the ninth is wanted.
Key
Ab · Ab major / F minor key signature
Abm9♭5 chord fingering chart, six strings, frets marked
Abm9♭5 — fingering chart Diagram: Will Chan

Formula

The chord tones in order from the root, with the interval each one forms above it.

DegreeNoteSemitonesInterval from the root
1Ab0Perfect unison
b3Cb3Minor third
b5Ebb6Tritone
b7Gb10Minor seventh
9Bb2Major second

Inversions

An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.

InversionBass noteDegree in the bassNotes above the bassSemitones above the bass
root positionAb1Ab – Cb – Ebb – Gb – Bb0 3 6 10 2
first inversionCbb3Cb – Ebb – Gb – Bb – Ab0 3 7 11 9
second inversionEbbb5Ebb – Gb – Bb – Ab – Cb0 4 8 6 9
third inversionGbb7Gb – Bb – Ab – Cb – Ebb0 4 2 5 8
fourth inversionBb9Bb – Ab – Cb – Ebb – Gb0 10 1 4 8

Playable voicings

These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.

#Shape (low string first)NotesDegreesBassSpan (frets)Sounding strings
14-2-4-3-3-2Ab B Gb Bb D Gb1 b3 b7 9 b5 b7Ab26
24-2-4-3-3-4Ab B Gb Bb D Ab1 b3 b7 9 b5 1Ab26
34-1-4-4-3-2Ab Bb Gb B D Gb1 9 b7 b3 b5 b7Ab36
44-1-4-4-3-4Ab Bb Gb B D Ab1 9 b7 b3 b5 1Ab36
54-5-4-4-3-6Ab D Gb B D Bb1 b5 b7 b3 b5 9Ab36
64-5-4-4-7-6Ab D Gb B Gb Bb1 b5 b7 b3 b7 9Ab36

Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.

Related chords and scales

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