Abmaj7 — Ab major seventh chord
A major triad with a major seventh added. The interval between the third and the seventh is a major third, which is why the chord sounds stable.
- 1 = Ab
- 3 = C
- 5 = Eb
- 7 = G
- Symbol
- Abmaj7
- Root
- Ab
- Quality
- Major seventh
- Family
- seventh
- Notes
- Ab C Eb G
- Degree formula
1 3 5 7- Semitones from the root
0 4 7 11- Distinct pitch classes
- 4
- Interval structure
- Stacked from the root: 4 semitones, 3 semitones, 4 semitones
- Notation
- Written maj7, M7 or a triangle. The tonic chord of a major key in jazz harmony.
- Key
- Ab · Ab major / F minor key signature
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Ab | 0 | Perfect unison |
| 3 | C | 4 | Major third |
| 5 | Eb | 7 | Perfect fifth |
| 7 | G | 11 | Major seventh |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Ab | 1 | Ab – C – Eb – G | 0 4 7 11 |
| first inversion | C | 3 | C – Eb – G – Ab | 0 3 7 8 |
| second inversion | Eb | 5 | Eb – G – Ab – C | 0 4 5 9 |
| third inversion | G | 7 | G – Ab – C – Eb | 0 1 5 8 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 4-3-5-5-4-3 | Ab C G C Eb G | 1 3 7 3 5 7 | Ab | 2 | 6 |
| 2 | 4-3-5-5-4-4 | Ab C G C Eb Ab | 1 3 7 3 5 1 | Ab | 2 | 6 |
| 3 | 4-6-5-5-4-4 | Ab Eb G C Eb Ab | 1 5 7 3 5 1 | Ab | 2 | 6 |
| 4 | 4-3-1-1-1-3 | Ab C Eb Ab C G | 1 3 5 1 3 7 | Ab | 3 | 6 |
| 5 | 4-3-1-1-4-3 | Ab C Eb Ab Eb G | 1 3 5 1 5 7 | Ab | 3 | 6 |
| 6 | 4-3-6-5-4-3 | Ab C Ab C Eb G | 1 3 1 3 5 7 | Ab | 3 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Ab
- ScaleAb major
- ChordAb
- ChordAbmaj9
- ChordCm7
Related
- KeyKey of Ab
- ScaleAb major
- ChordAb — Major
- ChordAbmaj9 — Major ninth
- ChordCm7 — Minor seventh
- ChordAbdim7 — Diminished seventh
- ChordAb7 — Dominant seventh
- ChordAbm7 — Minor seventh