Bbaug — Bb augmented chord
Root, major third and augmented fifth: two stacked major thirds. Because the thirds are equal the chord divides the octave into three, so it has three enharmonic spellings and only four distinct forms.
- 1 = Bb
- 3 = D
- #5 = F#
- Symbol
- Bbaug
- Root
- Bb
- Quality
- Augmented
- Family
- triad
- Notes
- Bb D F#
- Degree formula
1 3 #5- Semitones from the root
0 4 8- Distinct pitch classes
- 3
- Interval structure
- Stacked from the root: 4 semitones, 4 semitones
- Notation
- Written aug or with a plus sign, for example Caug or C+.
- Key
- Bb · Bb major / G minor key signature
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Bb | 0 | Perfect unison |
| 3 | D | 4 | Major third |
| #5 | F# | 8 | Minor sixth |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Bb | 1 | Bb – D – F# | 0 4 8 |
| first inversion | D | 3 | D – F# – Bb | 0 4 8 |
| second inversion | F# | #5 | F# – Bb – D | 0 4 8 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 6-5-4-3-3-6 | Bb D Gb Bb D Bb | 1 3 #5 1 3 1 | Bb | 3 | 6 |
| 2 | 6-5-4-7-7-6 | Bb D Gb D Gb Bb | 1 3 #5 3 #5 1 | Bb | 3 | 6 |
| 3 | 6-5-8-7-7-6 | Bb D Bb D Gb Bb | 1 3 1 3 #5 1 | Bb | 3 | 6 |
| 4 | 6-9-8-7-7-6 | Bb Gb Bb D Gb Bb | 1 #5 1 3 #5 1 | Bb | 3 | 6 |
| 5 | 6-5-4-3-3-2 | Bb D Gb Bb D Gb | 1 3 #5 1 3 #5 | Bb | 4 | 6 |
| 6 | 6-5-4-3-7-6 | Bb D Gb Bb Gb Bb | 1 3 #5 1 #5 1 | Bb | 4 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Bb
- ScaleBb whole tone
- ChordDaug
- ChordF#aug
Related
- KeyKey of Bb
- ScaleBb whole tone
- ChordDaug — Augmented
- ChordF#aug — Augmented
- ChordBbdim — Diminished
- ChordBb — Major
- ChordBbm — Minor
- DegreesBb — degree map