Bb — fretboard degree map
The same neck read as degrees instead of note names. A degree tells you what a note does in the key, which is what transfers from one key to another: the shape of the major scale is the same everywhere, the letters are not.
- Tuning
- standard (E A D G B E)
- Key
- Bb major
- Degrees shown
- 1 to 7 with the accidentals of the key
- Frets shown
- 0 to 22
- Notes outside the key
- Db, E, Gb, Ab, B (marked with a dot)
- Comparison
- the same map as note names is on Bb note map
Bb major, as degrees
A dot marks a note that is not in the scale. The shaded cell is the tonic.
| String | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| E4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 |
| B3 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 |
| G3 | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 |
| D3 | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 |
| A2 | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 |
| E2 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 |
| Degree | Note | Interval above the tonic |
|---|---|---|
| 1 | Bb | Perfect unison |
| 2 | C | Major second |
| 3 | D | Major third |
| 4 | Eb | Perfect fourth |
| 5 | F | Perfect fifth |
| 6 | G | Major sixth |
| 7 | A | Major seventh |
Bb natural minor, as degrees
The same fretboard read against the natural minor scale of the same tonic. The shape is the major scale of the key a minor third above, which is why it is the same set of positions moved three frets.
| String | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| E4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · |
| B3 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · |
| G3 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 |
| D3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 |
| A2 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · |
| E2 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · |
| Degree | Note | Interval above the tonic |
|---|---|---|
| 1 | Bb | Perfect unison |
| 2 | C | Major second |
| b3 | Db | Minor third |
| 4 | Eb | Perfect fourth |
| 5 | F | Perfect fifth |
| b6 | Gb | Minor sixth |
| b7 | Ab | Minor seventh |
Using the degree map
- The major scale is the same sequence of intervals on every string. Reading it as degrees rather than letters is what makes the shapes transposable.
- The fifth degree is the most common note to double in a chord, and the third decides whether the chord is major or minor. Both are visible in the map above.
- The notes outside the key are the ones available for chromatic movement: a b3 over a major chord, a b7 over a major triad, a #4 to move up to the fifth.
- The relative minor of Bb is G; the natural minor map above is the major map of C# read from a different tonic.
Related
- Neck mapBb — note map
- ScaleBb major
- ScaleBb natural minor
- KeyKey of Bb
- Neck mapNote names
- ChordBb — Major
- ChordBb11 — Dominant eleventh
- ChordBb13 — Dominant thirteenth