Bbm13 — Bb minor thirteenth chord
A minor seventh chord with the ninth and the thirteenth added. The eleventh is normally left out, as on the dominant thirteenth.
- 1 = Bb
- b3 = Db
- 5 = F
- b7 = Ab
- 9 = C
- 13 = G
- Symbol
- Bbm13
- Root
- Bb
- Quality
- Minor thirteenth
- Family
- extended
- Notes
- Bb Db F Ab C G
- Degree formula
1 b3 5 b7 9 13- Semitones from the root
0 2 3 7 9 10- Distinct pitch classes
- 6
- Interval structure
- Stacked from the root: 3 semitones, 4 semitones, 3 semitones, 4 semitones, 7 semitones
- Notation
- Written m13. A tonic or subdominant colour in jazz and soul.
- Key
- Bb · Bb major / G minor key signature
Fingering charts
The library holds 5 fingerings of this chord and all of them are shown, in the library’s own order. Several fingerings of one chord is normal: the same notes can be stopped at different positions and on different strings.
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Bb | 0 | Perfect unison |
| b3 | Db | 3 | Minor third |
| 5 | F | 7 | Perfect fifth |
| b7 | Ab | 10 | Minor seventh |
| 9 | C | 2 | Major second |
| 13 | G | 9 | Major sixth |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Bb | 1 | Bb – Db – F – Ab – C – G | 0 3 7 10 2 9 |
| first inversion | Db | b3 | Db – F – Ab – C – G – Bb | 0 4 7 11 6 9 |
| second inversion | F | 5 | F – Ab – C – G – Bb – Db | 0 3 7 2 5 8 |
| third inversion | Ab | b7 | Ab – C – G – Bb – Db – F | 0 4 11 2 5 9 |
| fourth inversion | C | 9 | C – G – Bb – Db – F – Ab | 0 7 10 1 5 8 |
| fifth inversion | G | 13 | G – Bb – Db – F – Ab – C | 0 3 6 10 1 5 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 6-4-5-5-6-4 | Bb Db G C F Ab | 1 b3 13 9 5 b7 | Bb | 2 | 6 |
| 2 | 6-8-6-6-8-8 | Bb F Ab Db G C | 1 5 b7 b3 13 9 | Bb | 2 | 6 |
| 3 | 6-3-5-6-6-4 | Bb C G Db F Ab | 1 9 13 b3 5 b7 | Bb | 3 | 6 |
| 4 | 6-3-6-6-6-3 | Bb C Ab Db F G | 1 9 b7 b3 5 13 | Bb | 3 | 6 |
| 5 | 6-4-6-5-6-3 | Bb Db Ab C F G | 1 b3 b7 9 5 13 | Bb | 3 | 6 |
| 6 | 6-8-5-5-9-9 | Bb F G C Ab Db | 1 5 13 9 b7 b3 | Bb | 4 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Bb
- ScaleBb dorian
- ChordBbm11
- ChordBbm
- ChordBbm7
Related
- KeyKey of Bb
- ScaleBb dorian
- ChordBbm11 — Minor eleventh
- ChordBbm — Minor
- ChordBbm7 — Minor seventh
- ChordBb11 — Dominant eleventh
- ChordBb13 — Dominant thirteenth
- ChordBb9 — Dominant ninth