My Guitar Notes

Bbm — Bb minor chord

Root, minor third and perfect fifth. One semitone lower than the major third.

Symbol
Bbm
Root
Bb
Quality
Minor
Family
triad
Notes
Bb Db F
Degree formula
1 b3 5
Semitones from the root
0 3 7
Distinct pitch classes
3
Interval structure
Stacked from the root: 3 semitones, 4 semitones
Notation
Written with a lower-case m after the root, for example Cm.
Key
Bb · Bb major / G minor key signature

Formula

The chord tones in order from the root, with the interval each one forms above it.

DegreeNoteSemitonesInterval from the root
1Bb0Perfect unison
b3Db3Minor third
5F7Perfect fifth

Inversions

An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.

InversionBass noteDegree in the bassNotes above the bassSemitones above the bass
root positionBb1Bb – Db – F0 3 7
first inversionDbb3Db – F – Bb0 4 9
second inversionF5F – Bb – Db0 5 8

Playable voicings

These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.

#Shape (low string first)NotesDegreesBassSpan (frets)Sounding strings
16-8-8-6-6-6Bb F Bb Db F Bb1 5 1 b3 5 1Bb26
26-4-3-3-6-6Bb Db F Bb F Bb1 b3 5 1 5 1Bb36
36-4-3-6-6-6Bb Db F Db F Bb1 b3 5 b3 5 1Bb36
46-8-8-6-6-9Bb F Bb Db F Db1 5 1 b3 5 b3Bb36
56-4-3-3-2-6Bb Db F Bb Db Bb1 b3 5 1 b3 1Bb46
66-4-3-6-2-6Bb Db F Db Db Bb1 b3 5 b3 b3 1Bb46

Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.

Related chords and scales

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