My Guitar Notes

Bbm9 — Bb minor ninth chord

A minor seventh chord with the ninth added. The ninth is a whole tone above the root.

Symbol
Bbm9
Root
Bb
Quality
Minor ninth
Family
extended
Notes
Bb C Db F Ab
Degree formula
1 9 b3 5 b7
Semitones from the root
0 2 3 7 10
Distinct pitch classes
5
Interval structure
Stacked from the root: 2 semitones, 1 semitones, 4 semitones, 3 semitones
Notation
Written m9. The chord on the second, third and sixth degrees of a major key when the ninth is wanted.
Key
Bb · Bb major / G minor key signature

Formula

The chord tones in order from the root, with the interval each one forms above it.

DegreeNoteSemitonesInterval from the root
1Bb0Perfect unison
9C2Major second
b3Db3Minor third
5F7Perfect fifth
b7Ab10Minor seventh

Inversions

An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.

InversionBass noteDegree in the bassNotes above the bassSemitones above the bass
root positionBb1Bb – C – Db – F – Ab0 2 3 7 10
first inversionC9C – Db – F – Ab – Bb0 1 5 8 10
second inversionDbb3Db – F – Ab – Bb – C0 4 7 9 11
third inversionF5F – Ab – Bb – C – Db0 3 5 7 8
fourth inversionAbb7Ab – Bb – C – Db – F0 2 4 5 9

Playable voicings

These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.

#Shape (low string first)NotesDegreesBassSpan (frets)Sounding strings
16-4-6-5-6-4Bb Db Ab C F Ab1 b3 b7 9 5 b7Bb26
26-4-6-5-6-6Bb Db Ab C F Bb1 b3 b7 9 5 1Bb26
36-8-6-6-6-8Bb F Ab Db F C1 5 b7 b3 5 9Bb26
46-3-3-6-6-4Bb C F Db F Ab1 9 5 b3 5 b7Bb36
56-4-3-5-6-4Bb Db F C F Ab1 b3 5 9 5 b7Bb36
66-3-6-6-6-4Bb C Ab Db F Ab1 9 b7 b3 5 b7Bb36

Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.

Related chords and scales

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