Db9sus4 — Db dominant ninth suspended fourth chord
A dominant seventh chord with the third replaced by the fourth and the ninth added. The same notes as the dominant eleventh, which is why the two names are used interchangeably.
- 1 = Db
- 4 = Gb
- 5 = Ab
- b7 = Cb
- 9 = Eb
- Symbol
- Db9sus4
- Root
- Db
- Quality
- Dominant ninth suspended fourth
- Family
- suspended
- Notes
- Db Gb Ab Cb Eb
- Degree formula
1 4 5 b7 9- Semitones from the root
0 2 5 7 10- Distinct pitch classes
- 5
- Interval structure
- Stacked from the root: 5 semitones, 2 semitones, 3 semitones, 4 semitones
- Notation
- Written 9sus4. The common voicing of the dominant eleventh in funk and soul, and the chord behind many single-chord vamps.
- Key
- Db · Db major / Bb minor key signature
Fingering charts
The library holds 3 fingerings of this chord and all of them are shown, in the library’s own order. Several fingerings of one chord is normal: the same notes can be stopped at different positions and on different strings.
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Db | 0 | Perfect unison |
| 4 | Gb | 5 | Perfect fourth |
| 5 | Ab | 7 | Perfect fifth |
| b7 | Cb | 10 | Minor seventh |
| 9 | Eb | 2 | Major second |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Db | 1 | Db – Gb – Ab – Cb – Eb | 0 5 7 10 2 |
| first inversion | Gb | 4 | Gb – Ab – Cb – Eb – Db | 0 2 5 9 7 |
| second inversion | Ab | 5 | Ab – Cb – Eb – Db – Gb | 0 3 7 5 10 |
| third inversion | Cb | b7 | Cb – Eb – Db – Gb – Ab | 0 4 2 7 9 |
| fourth inversion | Eb | 9 | Eb – Db – Gb – Ab – Cb | 0 10 3 5 8 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 9-9-9-8-9-9 | Db Gb B Eb Ab Db | 1 4 b7 9 5 1 | Db | 1 | 6 |
| 2 | 9-9-9-8-9-7 | Db Gb B Eb Ab B | 1 4 b7 9 5 b7 | Db | 2 | 6 |
| 3 | 9-9-9-11-9-11 | Db Gb B Gb Ab Eb | 1 4 b7 4 5 9 | Db | 2 | 6 |
| 4 | 9-11-9-11-9-11 | Db Ab B Gb Ab Eb | 1 5 b7 4 5 9 | Db | 2 | 6 |
| 5 | 9-6-6-6-7-7 | Db Eb Ab Db Gb B | 1 9 5 1 4 b7 | Db | 3 | 6 |
| 6 | 9-6-6-8-7-7 | Db Eb Ab Eb Gb B | 1 9 5 9 4 b7 | Db | 3 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Db
- ScaleDb mixolydian
- ChordDb9
- ChordDb
- ChordDb7
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