C# — fretboard degree map
The same neck read as degrees instead of note names. A degree tells you what a note does in the key, which is what transfers from one key to another: the shape of the major scale is the same everywhere, the letters are not.
- Tuning
- standard (E A D G B E)
- Key
- C# major
- Degrees shown
- 1 to 7 with the accidentals of the key
- Frets shown
- 0 to 22
- Notes outside the key
- D, E, G, A, B (marked with a dot)
- Comparison
- the same map as note names is on C# note map
C# major, as degrees
A dot marks a note that is not in the scale. The shaded cell is the tonic.
| String | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| E4 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · |
| B3 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · |
| G3 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 |
| D3 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 |
| A2 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · |
| E2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · | 2 | · | 3 | 4 | · | 5 | · | 6 | · | 7 | 1 | · |
| Degree | Note | Interval above the tonic |
|---|---|---|
| 1 | C# | Perfect unison |
| 2 | D# | Major second |
| 3 | E# | Major third |
| 4 | F# | Perfect fourth |
| 5 | G# | Perfect fifth |
| 6 | A# | Major sixth |
| 7 | B# | Major seventh |
C# natural minor, as degrees
The same fretboard read against the natural minor scale of the same tonic. The shape is the major scale of the key a minor third above, which is why it is the same set of positions moved three frets.
| String | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| E4 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · |
| B3 | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 |
| G3 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · |
| D3 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · |
| A2 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · |
| E2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · | 2 | b3 | · | 4 | · | 5 | b6 | · | b7 | · | 1 | · |
| Degree | Note | Interval above the tonic |
|---|---|---|
| 1 | C# | Perfect unison |
| 2 | D# | Major second |
| b3 | E | Minor third |
| 4 | F# | Perfect fourth |
| 5 | G# | Perfect fifth |
| b6 | A | Minor sixth |
| b7 | B | Minor seventh |
Using the degree map
- The major scale is the same sequence of intervals on every string. Reading it as degrees rather than letters is what makes the shapes transposable.
- The fifth degree is the most common note to double in a chord, and the third decides whether the chord is major or minor. Both are visible in the map above.
- The notes outside the key are the ones available for chromatic movement: a b3 over a major chord, a b7 over a major triad, a #4 to move up to the fifth.
- The relative minor of C# is Bb; the natural minor map above is the major map of E read from a different tonic.
Related
- Neck mapC# — note map
- ScaleC# major
- ScaleC# natural minor
- KeyKey of C#
- Neck mapNote names
- ChordC# — Major
- ChordC#11 — Dominant eleventh
- ChordC#13 — Dominant thirteenth