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Dbdim7 — Db diminished seventh chord

Four notes each a minor third above the last, so the octave is divided into four equal parts. Every note of the chord can act as the root, which gives the chord four spellings for one set of notes.

Symbol
Dbdim7
Root
Db
Quality
Diminished seventh
Family
seventh
Notes
Db Fb Abb Cbb
Degree formula
1 b3 b5 bb7
Semitones from the root
0 3 6 9
Distinct pitch classes
4
Interval structure
Stacked from the root: 3 semitones, 3 semitones, 3 semitones
Notation
Written dim7 or o7. Functions as an altered dominant a semitone below the target chord.
Key
Db · Db major / Bb minor key signature

Formula

The chord tones in order from the root, with the interval each one forms above it.

DegreeNoteSemitonesInterval from the root
1Db0Perfect unison
b3Fb3Minor third
b5Abb6Tritone
bb7Cbb9Major sixth

Inversions

An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.

InversionBass noteDegree in the bassNotes above the bassSemitones above the bass
root positionDb1Db – Fb – Abb – Cbb0 3 6 9
first inversionFbb3Fb – Abb – Cbb – Db0 3 6 9
second inversionAbbb5Abb – Cbb – Db – Fb0 3 6 9
third inversionCbbbb7Cbb – Db – Fb – Abb0 3 6 9

Playable voicings

These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.

#Shape (low string first)NotesDegreesBassSpan (frets)Sounding strings
19-7-8-9-8-9Db E Bb E G Db1 b3 bb7 b3 b5 1Db26
29-10-8-9-8-9Db G Bb E G Db1 b5 bb7 b3 b5 1Db26
39-10-11-9-11-9Db G Db E Bb Db1 b5 1 b3 bb7 1Db26
49-7-8-6-8-6Db E Bb Db G Bb1 b3 bb7 1 b5 bb7Db36
59-7-8-6-8-9Db E Bb Db G Db1 b3 bb7 1 b5 1Db36
69-7-8-9-8-6Db E Bb E G Bb1 b3 bb7 b3 b5 bb7Db36

Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.

Related chords and scales

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