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Ebm13 — Eb minor thirteenth chord

A minor seventh chord with the ninth and the thirteenth added. The eleventh is normally left out, as on the dominant thirteenth.

Symbol
Ebm13
Root
Eb
Quality
Minor thirteenth
Family
extended
Notes
Eb Gb Bb Db F C
Degree formula
1 b3 5 b7 9 13
Semitones from the root
0 2 3 7 9 10
Distinct pitch classes
6
Interval structure
Stacked from the root: 3 semitones, 4 semitones, 3 semitones, 4 semitones, 7 semitones
Notation
Written m13. A tonic or subdominant colour in jazz and soul.
Key
Eb · Eb major / C minor key signature
Ebm13 chord fingering chart, six strings, frets marked
Ebm13 — fingering chart Diagram: Will Chan

Formula

The chord tones in order from the root, with the interval each one forms above it.

DegreeNoteSemitonesInterval from the root
1Eb0Perfect unison
b3Gb3Minor third
5Bb7Perfect fifth
b7Db10Minor seventh
9F2Major second
13C9Major sixth

Inversions

An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.

InversionBass noteDegree in the bassNotes above the bassSemitones above the bass
root positionEb1Eb – Gb – Bb – Db – F – C0 3 7 10 2 9
first inversionGbb3Gb – Bb – Db – F – C – Eb0 4 7 11 6 9
second inversionBb5Bb – Db – F – C – Eb – Gb0 3 7 2 5 8
third inversionDbb7Db – F – C – Eb – Gb – Bb0 4 11 2 5 9
fourth inversionF9F – C – Eb – Gb – Bb – Db0 7 10 1 5 8
fifth inversionC13C – Eb – Gb – Bb – Db – F0 3 6 10 1 5

Playable voicings

These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.

#Shape (low string first)NotesDegreesBassSpan (frets)Sounding strings
111-9-10-10-11-9Eb Gb C F Bb Db1 b3 13 9 5 b7Eb26
211-13-11-11-13-13Eb Bb Db Gb C F1 5 b7 b3 13 9Eb26
311-8-10-11-11-9Eb F C Gb Bb Db1 9 13 b3 5 b7Eb36
411-8-11-11-11-8Eb F Db Gb Bb C1 9 b7 b3 5 13Eb36
511-9-11-10-11-8Eb Gb Db F Bb C1 b3 b7 9 5 13Eb36
611-13-10-10-14-14Eb Bb C F Db Gb1 5 13 9 b7 b3Eb46

Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.

Related chords and scales

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