Ebm13 — Eb minor thirteenth chord
A minor seventh chord with the ninth and the thirteenth added. The eleventh is normally left out, as on the dominant thirteenth.
- 1 = Eb
- b3 = Gb
- 5 = Bb
- b7 = Db
- 9 = F
- 13 = C
- Symbol
- Ebm13
- Root
- Eb
- Quality
- Minor thirteenth
- Family
- extended
- Notes
- Eb Gb Bb Db F C
- Degree formula
1 b3 5 b7 9 13- Semitones from the root
0 2 3 7 9 10- Distinct pitch classes
- 6
- Interval structure
- Stacked from the root: 3 semitones, 4 semitones, 3 semitones, 4 semitones, 7 semitones
- Notation
- Written m13. A tonic or subdominant colour in jazz and soul.
- Key
- Eb · Eb major / C minor key signature
Formula
The chord tones in order from the root, with the interval each one forms above it.
| Degree | Note | Semitones | Interval from the root |
|---|---|---|---|
| 1 | Eb | 0 | Perfect unison |
| b3 | Gb | 3 | Minor third |
| 5 | Bb | 7 | Perfect fifth |
| b7 | Db | 10 | Minor seventh |
| 9 | F | 2 | Major second |
| 13 | C | 9 | Major sixth |
Inversions
An inversion is the same set of notes with a different one in the bass. The last column gives the distance of each note above the bass note, in semitones.
| Inversion | Bass note | Degree in the bass | Notes above the bass | Semitones above the bass |
|---|---|---|---|---|
| root position | Eb | 1 | Eb – Gb – Bb – Db – F – C | 0 3 7 10 2 9 |
| first inversion | Gb | b3 | Gb – Bb – Db – F – C – Eb | 0 4 7 11 6 9 |
| second inversion | Bb | 5 | Bb – Db – F – C – Eb – Gb | 0 3 7 2 5 8 |
| third inversion | Db | b7 | Db – F – C – Eb – Gb – Bb | 0 4 11 2 5 9 |
| fourth inversion | F | 9 | F – C – Eb – Gb – Bb – Db | 0 7 10 1 5 8 |
| fifth inversion | C | 13 | C – Eb – Gb – Bb – Db – F | 0 3 6 10 1 5 |
Playable voicings
These shapes were found by searching the fretboard of a standard-tuned guitar (E A D G B E) rather than copied from a chord book. The search allows every string to sound or to be muted, rejects any shape with a muted string between two sounding strings, rejects any shape whose fretted notes span more than four frets (a five-fret window), requires every chord tone to be present, and then sorts what remains with root-position shapes first and the most compact, lowest shapes next. The shapes shown are the first six of that ordering; other orderings are possible at the same frets.
| # | Shape (low string first) | Notes | Degrees | Bass | Span (frets) | Sounding strings |
|---|---|---|---|---|---|---|
| 1 | 11-9-10-10-11-9 | Eb Gb C F Bb Db | 1 b3 13 9 5 b7 | Eb | 2 | 6 |
| 2 | 11-13-11-11-13-13 | Eb Bb Db Gb C F | 1 5 b7 b3 13 9 | Eb | 2 | 6 |
| 3 | 11-8-10-11-11-9 | Eb F C Gb Bb Db | 1 9 13 b3 5 b7 | Eb | 3 | 6 |
| 4 | 11-8-11-11-11-8 | Eb F Db Gb Bb C | 1 9 b7 b3 5 13 | Eb | 3 | 6 |
| 5 | 11-9-11-10-11-8 | Eb Gb Db F Bb C | 1 b3 b7 9 5 13 | Eb | 3 | 6 |
| 6 | 11-13-10-10-14-14 | Eb Bb C F Db Gb | 1 5 13 9 b7 b3 | Eb | 4 | 6 |
Shape numbers run from the lowest string to the highest, so the left-hand number is the sixth string (low E) in standard tuning. Multiple shapes are listed because a chord can be voiced several ways, and because a lower position is not always the better sounding one.
Related chords and scales
- KeyEverything in Eb
- ScaleEb dorian
- ChordEbm11
- ChordEbm
- ChordEbm7
Related
- KeyKey of Eb
- ScaleEb dorian
- ChordEbm11 — Minor eleventh
- ChordEbm — Minor
- ChordEbm7 — Minor seventh
- ChordEb11 — Dominant eleventh
- ChordEb13 — Dominant thirteenth
- ChordEb9 — Dominant ninth