Standard tuning
Six strings tuned in fourths except between the third and second strings, which are a major third apart. That irregular interval is what makes the fretboard repeat at the twelfth fret but not at the fifth, and it is the reason chord shapes are not transposable between all adjacent string pairs.
- 1st E
- 2nd B
- 3rd G
- 4th D
- 5th A
- 6th E
- Notes, highest to lowest
- E A D G B E
- Notes, lowest to highest
- E B G D A E
- Strings
- 6
- Interval pattern
- 6th to 5th: 5 semitones; 5th to 4th: 5 semitones; 4th to 3rd: 5 semitones; 3rd to 2nd: 4 semitones; 2nd to 1st: 5 semitones
- Family
- standard
- Typical scale length
- 24.75–25.5 in
- Written use
- The default tuning for the electric and steel-string acoustic guitar. Everything else on this site is described relative to it.
- Key of this tuning
- E
Strings
Each string of this tuning, with its scientific pitch, its MIDI note number (middle C is 60) and its distance above the lowest string.
| String | Note | Octave | MIDI | Semitones above the lowest | Interval |
|---|---|---|---|---|---|
| 1st (highest) | E | 4 | 64 | 24 | Perfect unison plus two octaves above the lowest string |
| 2nd | B | 3 | 59 | 19 | Perfect twelfth above the lowest string |
| 3rd | G | 3 | 55 | 15 | Augmented ninth above the lowest string |
| 4th | D | 3 | 50 | 10 | Minor seventh above the lowest string |
| 5th | A | 2 | 45 | 5 | Perfect fourth above the lowest string |
| 6th (lowest) | E | 2 | 40 | 0 | the reference string |
Common chord shapes
The shapes below were found by searching this tuning's fretboard. The search prefers the lowest playable position, requires every chord tone, spans no more than four frets and allows no muted string between two sounding ones. Shapes in an altered tuning are not the standard ones: they are the shapes this tuning actually produces.
| Chord | Shape (lowest string first) | Notes | Degrees | Span | Sounding | Quality |
|---|---|---|---|---|---|---|
| E | 0-2-2-1-0-0 | E B E G# B E | 1 5 1 3 5 1 | 2 | 6 | Major |
| A | 0-0-2-2-2-0 | E A E A C# E | 5 1 5 1 3 5 | 2 | 6 | Major |
| D | 2-0-0-2-x-x | F# A D A x x | 3 5 1 5 x x | 2 | 4 | Major |
| G | x-2-0-0-0-x | x B D G B x | x 3 5 1 3 x | 2 | 4 | Major |
| C | x-x-2-0-1-0 | x x E G C E | x x 3 5 1 3 | 2 | 4 | Major |
| Em | 0-2-2-0-0-0 | E B E G B E | 1 5 1 b3 5 1 | 2 | 6 | Minor |
| Am | 0-0-2-2-1-0 | E A E A C E | 5 1 5 1 b3 5 | 2 | 6 | Minor |
| Dm | 1-0-0-2-x-x | F A D A x x | b3 5 1 5 x x | 2 | 4 | Minor |
| E7 | x-x-0-1-0-0 | x x D G# B E | x x b7 3 5 1 | 1 | 4 | Dominant seventh |
| A7 | 0-0-2-0-2-0 | E A E G C# E | 5 1 5 b7 3 5 | 2 | 6 | Dominant seventh |
| Esus4 | 0-0-2-2-0-0 | E A E A B E | 1 4 1 4 5 1 | 2 | 6 | Suspended fourth |
| G7 | x-x-0-0-0-1 | x x D G B F | x x 5 1 3 b7 | 1 | 4 | Dominant seventh |
Diatonic chords in E
The seven triads built on the major scale of this tuning's home key, each as a playable shape in this tuning.
| Numeral | Chord | Notes | Shape (lowest string first) | Sounding | Quality |
|---|---|---|---|---|---|
| I | E | E G# B | 0-2-2-1-0-0 | 6 | Major |
| ii | F#m | F# A C# | 2-0-4-2-2-2 | 6 | Minor |
| iii | G#m | G# B D# | x-2-1-1-0-x | 4 | Minor |
| IV | A | A C# E | 0-0-2-2-2-0 | 6 | Major |
| V | B | B D# F# | 2-2-1-4-0-2 | 6 | Major |
| vi | C#m | C# E G# | x-x-2-1-2-0 | 4 | Minor |
| vii° | D#dim | D# F# A | 2-0-1-2-x-x | 4 | Diminished |
What this tuning is used for
The default tuning for the electric and steel-string acoustic guitar. Everything else on this site is described relative to it.
- GenreRock and pop
- GenreClassical
- GenreJazz
- GenreCountry
Related tunings
- TuningHalf step down
- TuningDrop D
- TuningDADGAD
- TuningSeven-string standard
- TuningNashville tuning (high strung)
Related
- TuningHalf step down tuning — Eb Ab Db Gb Bb Eb
- TuningDrop D tuning — D A D G B E
- TuningDADGAD tuning — D A D G A D
- TuningSeven-string standard tuning — B E A D G B E
- TuningNashville tuning (high strung) tuning — E A D G B E
- TuningOpen E tuning — E B E G# B E
- ChordE11 — Dominant eleventh
- ChordE13 — Dominant thirteenth