Baritone (B to B) tuning
A fourth below standard tuning, with the same interval layout as standard. The instrument normally has a scale length of 27 inches or more, and strings of 13–16 gauge for the lower positions, so that the tension at pitch stays playable.
- 1st B
- 2nd F#
- 3rd D
- 4th A
- 5th E
- 6th B
- Notes, highest to lowest
- B E A D F# B
- Notes, lowest to highest
- B F# D A E B
- Strings
- 6
- Interval pattern
- 6th to 5th: 5 semitones; 5th to 4th: 5 semitones; 4th to 3rd: 5 semitones; 3rd to 2nd: 4 semitones; 2nd to 1st: 5 semitones
- Family
- extended
- Typical scale length
- 27–30 in
- Written use
- Its own instrument rather than a retuned guitar: the shapes are standard, but everything sounds a fourth lower.
- Key of this tuning
- B
Strings
Each string of this tuning, with its scientific pitch, its MIDI note number (middle C is 60) and its distance above the lowest string.
| String | Note | Octave | MIDI | Semitones above the lowest | Interval |
|---|---|---|---|---|---|
| 1st (highest) | B | 3 | 59 | 24 | Perfect unison plus two octaves above the lowest string |
| 2nd | F# | 3 | 54 | 19 | Perfect twelfth above the lowest string |
| 3rd | D | 3 | 50 | 15 | Augmented ninth above the lowest string |
| 4th | A | 2 | 45 | 10 | Minor seventh above the lowest string |
| 5th | E | 2 | 40 | 5 | Perfect fourth above the lowest string |
| 6th (lowest) | B | 1 | 35 | 0 | the reference string |
Common chord shapes
The shapes below were found by searching this tuning's fretboard. The search prefers the lowest playable position, requires every chord tone, spans no more than four frets and allows no muted string between two sounding ones. Shapes in an altered tuning are not the standard ones: they are the shapes this tuning actually produces.
| Chord | Shape (lowest string first) | Notes | Degrees | Span | Sounding | Quality |
|---|---|---|---|---|---|---|
| B | 0-2-2-1-0-0 | B F# B D# F# B | 1 5 1 3 5 1 | 2 | 6 | Major |
| E | 0-0-2-2-2-0 | B E B E G# B | 5 1 5 1 3 5 | 2 | 6 | Major |
| A | 2-0-0-2-x-x | C# E A E x x | 3 5 1 5 x x | 2 | 4 | Major |
| F# | 2-2-1-4-0-2 | C# F# A# F# F# C# | 5 1 3 1 1 5 | 4 | 6 | Major |
| G#m | x-x-2-1-2-0 | x x B D# G# B | x x b3 5 1 b3 | 2 | 4 | Minor |
| B7 | x-x-0-1-0-0 | x x A D# F# B | x x b7 3 5 1 | 1 | 4 | Dominant seventh |
Diatonic chords in B
The seven triads built on the major scale of this tuning's home key, each as a playable shape in this tuning.
| Numeral | Chord | Notes | Shape (lowest string first) | Sounding | Quality |
|---|---|---|---|---|---|
| I | B | B D# F# | 0-2-2-1-0-0 | 6 | Major |
| ii | C#m | C# E G# | 2-0-4-2-2-2 | 6 | Minor |
| iii | D#m | D# F# A# | x-2-1-1-0-x | 4 | Minor |
| IV | E | E G# B | 0-0-2-2-2-0 | 6 | Major |
| V | F# | F# A# C# | 2-2-1-4-0-2 | 6 | Major |
| vi | G#m | G# B D# | x-x-2-1-2-0 | 4 | Minor |
| vii° | A#dim | A# C# E | 2-0-1-2-x-x | 4 | Diminished |
What this tuning is used for
Its own instrument rather than a retuned guitar: the shapes are standard, but everything sounds a fourth lower.
- GenreCountry and western
- GenreMetal
- GenreAmbient and post-rock
Related tunings
- TuningStandard
- TuningDrop A
- TuningSeven-string standard
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