Half step down tuning
Standard tuning lowered by one semitone, so every shape keeps its fingering and sounds a semitone lower. String tension falls by roughly 6 per cent for the same gauge, which makes bending slightly easier.
- 1st Eb
- 2nd Bb
- 3rd Gb
- 4th Db
- 5th Ab
- 6th Eb
- Notes, highest to lowest
- Eb Ab Db Gb Bb Eb
- Notes, lowest to highest
- Eb Bb Gb Db Ab Eb
- Strings
- 6
- Interval pattern
- 6th to 5th: 5 semitones; 5th to 4th: 5 semitones; 4th to 3rd: 5 semitones; 3rd to 2nd: 4 semitones; 2nd to 1st: 5 semitones
- Family
- standard
- Typical scale length
- 24.75–25.5 in
- Written use
- Used to lower the singing key without changing chord shapes, and to slacken the strings slightly for a heavier feel.
- Key of this tuning
- Eb
Strings
Each string of this tuning, with its scientific pitch, its MIDI note number (middle C is 60) and its distance above the lowest string.
| String | Note | Octave | MIDI | Semitones above the lowest | Interval |
|---|---|---|---|---|---|
| 1st (highest) | Eb | 4 | 63 | 24 | Perfect unison plus two octaves above the lowest string |
| 2nd | Bb | 3 | 58 | 19 | Perfect twelfth above the lowest string |
| 3rd | Gb | 3 | 54 | 15 | Augmented ninth above the lowest string |
| 4th | Db | 3 | 49 | 10 | Minor seventh above the lowest string |
| 5th | Ab | 2 | 44 | 5 | Perfect fourth above the lowest string |
| 6th (lowest) | Eb | 2 | 39 | 0 | the reference string |
Common chord shapes
The shapes below were found by searching this tuning's fretboard. The search prefers the lowest playable position, requires every chord tone, spans no more than four frets and allows no muted string between two sounding ones. Shapes in an altered tuning are not the standard ones: they are the shapes this tuning actually produces.
| Chord | Shape (lowest string first) | Notes | Degrees | Span | Sounding | Quality |
|---|---|---|---|---|---|---|
| Eb | 0-2-2-1-0-0 | Eb Bb Eb G Bb Eb | 1 5 1 3 5 1 | 2 | 6 | Major |
| Ab | 0-0-2-2-2-0 | Eb Ab Eb Ab C Eb | 5 1 5 1 3 5 | 2 | 6 | Major |
| Db | 2-0-0-2-x-x | F Ab Db Ab x x | 3 5 1 5 x x | 2 | 4 | Major |
| Ebm | 0-2-2-0-0-0 | Eb Bb Eb Gb Bb Eb | 1 5 1 b3 5 1 | 2 | 6 | Minor |
| Cm | x-x-2-1-2-0 | x x D# G C D# | x x b3 5 1 b3 | 2 | 4 | Minor |
| Eb7 | x-x-0-1-0-0 | x x Db G Bb Eb | x x b7 3 5 1 | 1 | 4 | Dominant seventh |
| Bb7 | 2-0-1-2-0-2 | F Ab D Ab Bb F | 5 b7 3 b7 1 5 | 2 | 6 | Dominant seventh |
| Ab | 0-0-2-2-2-0 | Eb Ab Eb Ab C Eb | 5 1 5 1 3 5 | 2 | 6 | Major |
Diatonic chords in Eb
The seven triads built on the major scale of this tuning's home key, each as a playable shape in this tuning.
| Numeral | Chord | Notes | Shape (lowest string first) | Sounding | Quality |
|---|---|---|---|---|---|
| I | Eb | Eb G Bb | 0-2-2-1-0-0 | 6 | Major |
| ii | Fm | F Ab C | 2-0-4-2-2-2 | 6 | Minor |
| iii | Gm | G Bb D | x-2-1-1-0-x | 4 | Minor |
| IV | Ab | Ab C Eb | 0-0-2-2-2-0 | 6 | Major |
| V | Bb | Bb D F | 2-2-1-4-0-2 | 6 | Major |
| vi | Cm | C Eb G | x-x-2-1-2-0 | 4 | Minor |
| vii° | Ddim | D F Ab | 2-0-1-2-x-x | 4 | Diminished |
What this tuning is used for
Used to lower the singing key without changing chord shapes, and to slacken the strings slightly for a heavier feel.
- GenreHard rock
- GenreBlues
- GenreSoul and R&B
Related tunings
- TuningStandard
- TuningFull step down
- TuningDrop D
Related
- TuningStandard tuning — E A D G B E
- TuningFull step down tuning — D G C F A D
- TuningDrop D tuning — D A D G B E
- ChordEb11 — Dominant eleventh
- ChordEb13 — Dominant thirteenth
- ChordEb6 — Sixth
- DegreesEb — degree map
- Neck mapEb — note map