My Guitar Notes

Nashville tuning (high strung) tuning

The bottom four strings are replaced by the octave strings of a twelve-string set, so the third through sixth strings sound an octave above standard. The second and first strings are ordinary. The result occupies the same register as the top four strings doubled.

Notes, highest to lowest
E A D G B E
Notes, lowest to highest
E B G D A E
Strings
6
Interval pattern
6th to 5th: -7 semitones; 5th to 4th: 5 semitones; 4th to 3rd: -7 semitones; 3rd to 2nd: 4 semitones; 2nd to 1st: 5 semitones
Family
special
Typical scale length
24.75–25.5 in
Open strings contain
A7sus4, E7sus4, Em7, G6, Gadd9, Asus2, Asus4, Dsus2, Dsus4, Em
Written use
Used to add a shimmering layer to an acoustic arrangement without a twelve-string instrument. It is a recording technique more than a playing tuning.
Key of this tuning
E

Strings

Each string of this tuning, with its scientific pitch, its MIDI note number (middle C is 60) and its distance above the lowest string.

StringNoteOctaveMIDISemitones above the lowestInterval
1st (highest)E4640Perfect unison above the lowest string
2ndB359-5-5 semitones above the lowest string
3rdG355-9-9 semitones above the lowest string
4thD462-2-2 semitones above the lowest string
5thA357-7-7 semitones above the lowest string
6th (lowest)E4640the reference string

Common chord shapes

The shapes below were found by searching this tuning's fretboard. The search prefers the lowest playable position, requires every chord tone, spans no more than four frets and allows no muted string between two sounding ones. Shapes in an altered tuning are not the standard ones: they are the shapes this tuning actually produces.

ChordShape (lowest string first)NotesDegreesSpanSoundingQuality
E0-2-2-1-0-0E B E G# B E1 5 1 3 5 126Major
A0-0-2-2-2-0E A E A C# E5 1 5 1 3 526Major
D2-0-0-2-x-xF# A D A x x3 5 1 5 x x24Major
Cx-x-2-0-1-0x x E G C Ex x 3 5 1 324Major
Gx-2-0-0-0-xx B D G B xx 3 5 1 3 x24Major
Am0-0-2-2-1-0E A E A C E5 1 5 1 b3 526Minor

Diatonic chords in E

The seven triads built on the major scale of this tuning's home key, each as a playable shape in this tuning.

NumeralChordNotesShape (lowest string first)SoundingQuality
IEE G# B0-2-2-1-0-06Major
iiF#mF# A C#2-0-4-2-2-26Minor
iiiG#mG# B D#x-2-1-1-0-x4Minor
IVAA C# E0-0-2-2-2-06Major
VBB D# F#2-2-1-4-0-26Major
viC#mC# E G#x-x-2-1-2-04Minor
vii°D#dimD# F# A2-0-1-2-x-x4Diminished

What this tuning is used for

Used to add a shimmering layer to an acoustic arrangement without a twelve-string instrument. It is a recording technique more than a playing tuning.

Related tunings

Related