Nashville tuning (high strung) tuning
The bottom four strings are replaced by the octave strings of a twelve-string set, so the third through sixth strings sound an octave above standard. The second and first strings are ordinary. The result occupies the same register as the top four strings doubled.
- 1st E
- 2nd B
- 3rd G
- 4th D
- 5th A
- 6th E
- Notes, highest to lowest
- E A D G B E
- Notes, lowest to highest
- E B G D A E
- Strings
- 6
- Interval pattern
- 6th to 5th: -7 semitones; 5th to 4th: 5 semitones; 4th to 3rd: -7 semitones; 3rd to 2nd: 4 semitones; 2nd to 1st: 5 semitones
- Family
- special
- Typical scale length
- 24.75–25.5 in
- Written use
- Used to add a shimmering layer to an acoustic arrangement without a twelve-string instrument. It is a recording technique more than a playing tuning.
- Key of this tuning
- E
Strings
Each string of this tuning, with its scientific pitch, its MIDI note number (middle C is 60) and its distance above the lowest string.
| String | Note | Octave | MIDI | Semitones above the lowest | Interval |
|---|---|---|---|---|---|
| 1st (highest) | E | 4 | 64 | 0 | Perfect unison above the lowest string |
| 2nd | B | 3 | 59 | -5 | -5 semitones above the lowest string |
| 3rd | G | 3 | 55 | -9 | -9 semitones above the lowest string |
| 4th | D | 4 | 62 | -2 | -2 semitones above the lowest string |
| 5th | A | 3 | 57 | -7 | -7 semitones above the lowest string |
| 6th (lowest) | E | 4 | 64 | 0 | the reference string |
Common chord shapes
The shapes below were found by searching this tuning's fretboard. The search prefers the lowest playable position, requires every chord tone, spans no more than four frets and allows no muted string between two sounding ones. Shapes in an altered tuning are not the standard ones: they are the shapes this tuning actually produces.
| Chord | Shape (lowest string first) | Notes | Degrees | Span | Sounding | Quality |
|---|---|---|---|---|---|---|
| E | 0-2-2-1-0-0 | E B E G# B E | 1 5 1 3 5 1 | 2 | 6 | Major |
| A | 0-0-2-2-2-0 | E A E A C# E | 5 1 5 1 3 5 | 2 | 6 | Major |
| D | 2-0-0-2-x-x | F# A D A x x | 3 5 1 5 x x | 2 | 4 | Major |
| C | x-x-2-0-1-0 | x x E G C E | x x 3 5 1 3 | 2 | 4 | Major |
| G | x-2-0-0-0-x | x B D G B x | x 3 5 1 3 x | 2 | 4 | Major |
| Am | 0-0-2-2-1-0 | E A E A C E | 5 1 5 1 b3 5 | 2 | 6 | Minor |
Diatonic chords in E
The seven triads built on the major scale of this tuning's home key, each as a playable shape in this tuning.
| Numeral | Chord | Notes | Shape (lowest string first) | Sounding | Quality |
|---|---|---|---|---|---|
| I | E | E G# B | 0-2-2-1-0-0 | 6 | Major |
| ii | F#m | F# A C# | 2-0-4-2-2-2 | 6 | Minor |
| iii | G#m | G# B D# | x-2-1-1-0-x | 4 | Minor |
| IV | A | A C# E | 0-0-2-2-2-0 | 6 | Major |
| V | B | B D# F# | 2-2-1-4-0-2 | 6 | Major |
| vi | C#m | C# E G# | x-x-2-1-2-0 | 4 | Minor |
| vii° | D#dim | D# F# A | 2-0-1-2-x-x | 4 | Diminished |
What this tuning is used for
Used to add a shimmering layer to an acoustic arrangement without a twelve-string instrument. It is a recording technique more than a playing tuning.
- GenreCountry and Americana
- GenreFolk rock
Related tunings
- TuningStandard
- TuningBaritone (B to B)
Related
- TuningStandard tuning — E A D G B E
- TuningBaritone (B to B) tuning — B E A D F# B
- TuningOpen E tuning — E B E G# B E
- ChordE11 — Dominant eleventh
- ChordE13 — Dominant thirteenth
- ChordE6 — Sixth
- DegreesE — degree map
- Neck mapE — note map